1. I think that the photographer is trying to make the mood unhappy because of the darkness in the picture. In a way, it's a creepy picture because of the dark window in the back and the emptiness around her. I think this image is high depth of field because everything in the picture is clear, but the main focus is the girl. I think the implied diagonals are the railings and the walls in the back. I'm also wondering where she is in the picture.
2. When I see the second image it makes me think of loneliness because there is a lot of empty space in the back, and it also makes me think that the woman is not happy. I think this image is low depth of field because the trees in the back are more blurry than the main focus of the picture. The implied diagonals or lines are the trees in the back across the skyline. There is also more lighting on the baby than there is on the woman. The woman's hair makes me think of movement.
3. This picture looks lonely and busy at the same time because the three boys are alone but the cars and buildings make it look busier. The implied diagonals are on the road and on the buildings. The mood of this image is happier than the other two because of the lighter colors. The photographer could either be trying to make this a happier image because the boys could just be going somewhere together, or the photographer could've been trying to say that they're lost. There is good contrast in this picture because the three boys are the main focus of the picture and they catch your eye right away. It's also low depth of field because you can see everything clearly in the front of the image, but the cars are blurry when you look further. I also like the colors in this picture because there's variety instead of just blacks and whites. The road and buildings make it look like you're being pulled further into the picture.
4. I think that the mood of this image is happier because all the colors aren't as dark. I also think this could be light as subject matter because of the blacks, whites, and grays. This picture is a portrait because it's just the woman's face. I think the woman in this picture is happy because her eyes are kind of smiling even though she doesn't have a full smile on her face. The only implied diagonals or lines that I see are her shirt and her laugh lines. There's also good contrast between the blacks and whites. You can see the little details and textures in her face, too.
5. The photographer of this image is Duane Michaels. The mood of this image is creepy because of the dark lighting, and he's looking at himself as a dead person. I think the implied diagonal or line is the trim on the bottom of the wall and the table that he's laying on. This picture also makes me wonder why he would want to photograph something like that, and it makes me wonder what was he thinking. I think this picture is high depth of field because nothing is blurry or out of focus, and your eyes are drawn to everything in the picture. I also think this fits light as subject matter because of the blacks, whites, and grays. There's a shadow of the man behind him, and even though there's a white wall in the background, the picture still isn't showing a good mood.
Exam
1. I think that the photographer is trying to make the mood unhappy because of the darkness in the picture. In a way, it's a creepy picture because of the dark window in the back and the emptiness around her. I think this image is high depth of field because everything in the picture is clear, but the main focus is the girl. I think the implied diagonals are the railings and the walls in the back. I'm also wondering where she is in the picture.
2. When I see the second image it makes me think of loneliness because there is a lot of empty space in the back, and it also makes me think that the woman is not happy. I think this image is low depth of field because the trees in the back are more blurry than the main focus of the picture. The implied diagonals or lines are the trees in the back across the skyline. There is also more lighting on the baby than there is on the woman. The woman's hair makes me think of movement.
3. This picture looks lonely and busy at the same time because the three boys are alone but the cars and buildings make it look busier. The implied diagonals are on the road and on the buildings. The mood of this image is happier than the other two because of the lighter colors. The photographer could either be trying to make this a happier image because the boys could just be going somewhere together, or the photographer could've been trying to say that they're lost. There is good contrast in this picture because the three boys are the main focus of the picture and they catch your eye right away. It's also low depth of field because you can see everything clearly in the front of the image, but the cars are blurry when you look further. I also like the colors in this picture because there's variety instead of just blacks and whites. The road and buildings make it look like you're being pulled further into the picture.
4. I think that the mood of this image is happier because all the colors aren't as dark. I also think this could be light as subject matter because of the blacks, whites, and grays. This picture is a portrait because it's just the woman's face. I think the woman in this picture is happy because her eyes are kind of smiling even though she doesn't have a full smile on her face. The only implied diagonals or lines that I see are her shirt and her laugh lines. There's also good contrast between the blacks and whites. You can see the little details and textures in her face, too.
5. The photographer of this image is Duane Michaels. The mood of this image is creepy because of the dark lighting, and he's looking at himself as a dead person. I think the implied diagonal or line is the trim on the bottom of the wall and the table that he's laying on. This picture also makes me wonder why he would want to photograph something like that, and it makes me wonder what was he thinking. I think this picture is high depth of field because nothing is blurry or out of focus, and your eyes are drawn to everything in the picture. I also think this fits light as subject matter because of the blacks, whites, and grays. There's a shadow of the man behind him, and even though there's a white wall in the background, the picture still isn't showing a good mood.